Post Malone has recalled how he felt meeting Ozzy Osbourne for the first time, saying the moment was “absolutely fucking mind-blowing”.
In newly release footage from Malone’s upcoming documentary Post Malone: Runaway, the artist is seen hanging backstage before his show in Los Angeles on November 21, 2019, where he has his first encounter with Osbourne – a longtime idol of his.
“Good to see you, how are you? You look great,” Malone says as he approaches Osbourne, the pair shaking hands. “Are you excited?” Malone asks, with Osbourne replying: “Yeah, yeah, yeah.”
Malone then asks: “You ready to party?” to which Osbourne replies with only a chuckle and a grin.
As Malone describes the moment in a voiceover: “I was nervous meeting him, not as much performing [with him]. Meeting him is terrifying, ’cause, you know, what the fuck do you say to Ozzy Osbourne, you know? ‘I like your pants’!? You have no idea what the fuck to say to him.”
Watch the clip below:
With Osbourne surprising fans at the show, appearing onstage seated in a throne, he and Malone performed their collaborative single ‘Take What You Want’. The live rendition of the track – which featured Osbourne and Travis Scott upon its release in 2019 – was later shared to Osbourne’s official YouTube channel.
Later that month, Scott joined the duo onstage at the 2019 American Music Awards, where they performed the song as a trio. An Osbourne-Malone collaboration happened again in 2020 with the release of ‘I’m A Raid’, featured on Osbourne’s album ‘Ordinary Man’. “Being able to work with one of the biggest dudes in rock ‘n’ roll history, it’s pretty badass,” Malone says in the Post Malone: Runaway trailer of working with Osbourne.
Post Malone: Runaway will debut exclusively on Amazon Freevee this Friday (August 12). The documentary follows Malone – real name Austin Post – on his 2019 North American tour, which he embarked on in support of his third studio album, ‘Hollywood’s Bleeding’.
In an interview featured in the film’s trailer, Post says: “Sometimes I feel like I’m not a real person. I’m a goofy kid, I like to have fun, but it’s awesome that people still want to hear what’s next, the evolution. I make this music for everybody else, but everybody gives the same feeling back.
Post’s fourth studio album, ‘Twelve Carat Toothache’, was released back in June. The album featured several collaborators, including Doja Cat, Fleet Foxes‘ Robin Pecknold and The Kid LAROI, who respectively appeared on the songs ‘I Like You (A Happier Song)’, ‘Love/Hate Letter To Alcohol’ and ‘Wasting Angels’.
In a four-star review of ‘Twelve Carat Toothache’, NME‘s Rhian Daly noted how Post “finds a new path forward” with the release. She wrote: “The occasional outdated attitude and some light filler material here and there aside, ‘Twelve Carat Toothache’ is another step up for Post Malone. It’s a record that feels distinctively, inimitably him and succeeds in his goal of sharing his truth.”
Sam Ryder has told NME of his past fronting a Texan hardcore band called Close Your Eyes.
The pop star and UK Eurovision entrant is NME‘s Big Read cover star for Christmas 2022, and talked about his Number One album ‘There’s Nothing But Space, Man!’ as well as his journey to get there.
Ryder began playing in the band The Morning After as a teenager – he described their music as “Iron Maiden wannabe… not as good” – saying: “It was really fun. I have such fond memories of, like, thinking I was writing these songs that were going to change the world but [which] really weren’t.
“But that’s an important part of being in a band. I think when you’re that young, you’ve got to have that belief that you’re doing something good.”
After that, the singer linked up with Texas hardcore band Close Your Eyes as their frontman. He explained: “I was a singer, songwriter [and] really part of those guys. And it was a hardcore punk band, which was something totally new for me.”
Of how he joined the band, Ryder went on: “I heard they needed a singer so I sent them a clip of me singing. In that scene, there are so many singers who are really great at screaming – you know, the hardcore punk vocals. I wasn’t necessarily great at that, but I was good at clean singing.”
He said he stood out as a candidate because “there weren’t as many strong clean singers on the scene. And I just thought, ‘I’ll deal with the screaming thing as and when it comes!’”
Discussing his stint on 2014’s Warped Tour with the band, Ryder told NME: “I was the only person on that tour who managed to shower every single day.
“The showers on that tour – they’re the grossest thing on earth, you don’t want to go near them,” he says. “So instead, I’d walk the perimeter of the stadium [we were playing at] and try to find a little faucet or a tap. I’d be rooting up the sprinkler system if I had to!”
This month (December 9), Ryder released his debut album, ‘There’s Nothing But Space, Man!’. Reviewing the album, NME wrote: “The odd well-intentioned platitude hardly spoils an album of killer choruses on which Ryder’s infectious likeability shines through at all times.
“Next time he might want to chuck in a few more curveballs, but for now, ‘There’s Nothing But Space, Man!’ sounds like the beginning of what could be a really stellar career.”
Ryder has also revealed the impact a surfing accident had on his life. The accident happened when the Eurovision runner-up was on holiday in Hawaii four years ago, and led him to re-evaluate his life, pushing him to put more effort into his music career.
Little Mix‘s Leigh-Anne Pinnock has shared an update on the progress of her first music as a solo artist.
The girl group went on indefinite hiatus earlier this year after their tour in support of their most recent album ‘Confetti’. Pinnock has since been preparing to embark on a solo career and has been working with the producer Hit-Boy, who has previously worked with Beyonce and Rihanna.
Now, Pinnock has said in a newsletter that she will give fans “as much music as I can” when it’s ready. “I’ve been working really hard on music that’s coming together slowly but surely. I’m so happy with what we’ve made so far but I know there’s much more to do,” she wrote.
“I’ve been so lucky to work with some incredible songwriters, producers and creatives so far and I can’t wait for you to hear what we’ve made.”
She added: “I’ve got some exciting projects I can’t wait to share with you all, and of course, I’ll be giving you as much music as I can as soon as it’s ready.”
Pinnock has also taken a step into the acting world. She appeared in the Christmas rom-com Boxing Day last year, which was the first UK Christmas film to feature an all-Black cast.
Speaking to NME about how Little Mix bandmates Jade Thirlwall and Perrie Edwards reacted to the news, Pinnock said: “They were so happy for me. They’re going to be at the premiere. Honestly, they’re just so proud.
“We’re very supportive of what we all do individually and we all just want each other to win, because then we all win. It’s lovely and it’s going to be amazing having them there next to me supporting me. It’s going to be a very emotional night.”
Pinnock’s bandmate Jade Thirlwall is also going solo, having signed a global deal with RCA earlier this year.
The Strokes have discussed the “magical” experience of working with Rick Rubin on their upcoming new album.
READ MORE:The Strokes’ world-changing ‘Is This It’ at 20: “They had a ‘last gang in town’ mentality”
The band recently completed a recording session with the legendary producer in the mountains of Costa Rica. “We rented this house up on the top of a mountain and set the band up outside,” Rubin explained while appearing on The Joe Rogan Experience.
“So they’re playing… It’s like they’re doing a concert for the ocean, on the top of a mountain,” he added. “It was incredible. And we did that every day, playing out in the [open], and they didn’t want to leave. It was, like, the best experience.”
Discussing the experience further in a new chat with Maxim, guitarist Albert Hammond Jr. said: “I don’t think if I told you what it looked like and what it was, you’d fully understand the ‘magical-ness’ of where we were and how it was to record like that.
“It felt really touching that one of his favourite recording experiences was this one he just had right now.”
Of the band’s future, Hammond added: “I really think what excites me about wanting to play music and continue doing it is, I don’t think we’ve written our best songs yet. I really feel that in my gut.”
Rubin and The Strokes first joined forces in 2017, when they began working on ‘The New Abnormal’. The album was released in April of 2020 as their sixth full-length effort, supported by singles like ‘At The Door’, ‘Bad Decisions’, ‘Brooklyn Bridge To Chorus’ and ‘The Adults Are Talking’.
Elsewhere, the band recently announced plans to release a special vinyl box set featuring singles from their first three albums, B-sides and rarities.
‘The Singles – Volume 01’, which is released on February 24, 2023 via RCA Records/Legacy Recordings, features every 7 inch single from their 2001 debut ‘Is This It’, 2003 follow-up ‘Room On Fire’ and 2006’s ‘First Impressions of Earth’ as well as rare B-sides from the original single releases.
All ten singles will be pressed on black vinyl, with the artwork from each original release replicated in the package. It is available to pre-order here now.